Design credits include Last Days (Los Angeles Philharmonic, Walt Disney Concert Hall and the Royal Opera House); Hamnet (Garrick Theatre, West End and US tour); The Winter’s Tale and The Box of Delights (Royal Shakespeare Company); Cruise (Apollo Theatre, West End); Mad House (Ambassadors Theatre, West End); The Comeback (Noel Coward Theatre, West End); A Day in the Death of Joe Egg (Trafalgar Theatre, West End); Mother Goose (Duke of York’s Theatre, West End); In the Ruins of the Big House (Aviva Studios); Further than the Furthest Thing (Young Vic); Hymn (Almeida Theatre); Mozart: Her Story (Theatre Royal Drury Lane, West End); Piaf (Watermill Theatre); Spill (Düsseldorf); Sufi Zen (Royal Festival Hall); Dhamaka (O2 Arena); International Draft Works and Black History Month Draft Works (The Royal Ballet); Fame (UK Tour and Peacock Theatre); What If If Only and Superhoe (Royal Court Theatre); The Dumb Waiter (Old Vic); Swive [Elizabeth], Bartholomew Fair and Richard II (Shakespeare’s Globe); The Effect (English Theatre Frankfurt) and Cow | Deer (Royal Court Theatre and National Theatre of Greece). Site specific credits include: Maaya (Westminster Hall); Nest (St. Aidan’s RSPB Nature Reserve) and Bells (Mayor of London, Showtime). Virtual Reality credits include: Museum of Austerity (BFI London Film Festival) and Adult Children (Donmar Warehouse and BFI London Film Festival). Exhibition credits include: A-List Party Area (Madame Tussauds) and Football City, Art United, conceived by World Cup football winner Juan Mata, curator and Serpentine Galleries artistic director Hans Ulrich Obrist, and curator, writer and filmmaker Josh Willdigg (Aviva Studios). Television credits include: Hymn (Sky Arts) and The Winter’s Tale (BBC Four).